Morgana B.

Morgana has spent years in front of the camera, shaping a solid and personal career in the fashion world, but today, her perspective includes much more than what appears on set. Dividing her time between modeling and creative direction, she navigates the industry with a deep sense of identity, curiosity, and artistic drive. In this interview, she reflects on her evolution and the balance between visibility and what remains unseen. Her words trace a path shaped by experience, sensitivity, and a genuine desire to keep exploring beyond roles and expectations.

You’ve been at the forefront of the fashion world for years, and today you’re also active behind the scenes. If I asked you who Morgana is at this exact point in her journey, what would you say?

I deeply hope this path, so fluid and dynamic, where my work as a model intersects with the behind-the-scenes world, from organization to production and creative direction, can continue for a long time. I experience it as a natural evolution, a broadening of my role that transforms and enriches itself, embracing new forms and responsibilities without ever denying what I’ve been. In fact, the role of a model has been a part of me more deeply and consistently than I had realized. Today, I see myself as a hybrid figure, open and receptive to the many nuances of the fashion and art worlds. I draw on my field experience and am genuinely eager to embark on new paths, to keep nourishing my knowledge and refining my skills alongside other artists, creatives, and entrepreneurs.

Have you met people who deeply inspired you along the way?

Throughout my journey, inspiration has come in many shapes. Sometimes it emerged from a fleeting detail, a solitary photograph; other times from a full aesthetic or stylistic vision. It could be found in a single garment by a designer, in a precise moment during a photoshoot, or not in an individual at all, but rather in a collective encounter of minds and creative visions. For me, there is no single source of inspiration. It lives in the variety of experiences, in scattered moments of time, in shared ideas, in the whispered secrets of a technique. From each of these elements, I’ve drawn something, gathering precious fragments that have nurtured and shaped my vision and aesthetic.

Is there a campaign or editorial that will always stay with you? Why?

As much as my aesthetic taste may evolve, grow, or adapt over time, it will always preserve certain essential pillars, fixed points I return to. Among all the photographs I’ve taken, the ones I feel most deeply connected to are, paradoxically, the least constructed. Often, the images I prefer in the moment are later overtaken by simpler ones: analog shots, captured in natural light, with no makeup artist or stylist, my hair tousled by the wind. While I fully appreciate the beauty and value of more structured productions, my gaze always tends to gravitate toward a timeless, natural aesthetic.
Perhaps that’s why I consider Peter Lindbergh, whom I had the honor of meeting, an extraordinary reference point: his ability to capture authenticity and the power of simplicity remains, for me, unmatched.

How did the idea of stepping behind the scenes as a creative director come about?

It actually emerged in a very natural way, far more spontaneously than my entry into modeling. I’ve always dreamed of creating. Since childhood, I’ve had a deep passion for the arts: whether it was drawing, sewing clothes, painting, or imagining how to craft accessories, I’ve always had an instinctive, almost magical connection with creativity. That’s why I felt a genuine need to give life to something that carried my imprint, my vision. Not just my face or body in the foreground, but an idea born from within. I love creating, and I love reflecting on what to create and how to shape it. It’s a process that belongs to me, that nurtures and defines who I am.

How does your perception of an image change when you’re not the subject but the creative mind behind it?

I have to admit that, so far, it’s rare for me not to be an active part of the work itself. More often than not, I find myself embodying both roles. I’ve noticed that for those who have long seen me in one specific role, it can be harder to grasp that I can be something else, too. But I don’t find that frustrating, in fact, I find this duality exciting.

Who is Morgana off set, when she’s not modeling?

Morgana off set, that’s an interesting question. The truth is, it depends on the people I’m with and the context I find myself in. Sometimes, I’m exactly the same, on and off set, especially when I’m surrounded by genuine, light-hearted people who allow me to be my true self. Other times, I maintain a certain distance, a more professional and reserved demeanor to protect the more personal sides of me. Off set, at my core, I’m a countryside girl. I love simplicity and genuine human connections, the kind built with sincere people who know how to appreciate beauty. You might find me riding my bike along the river, clothes stained with grass and mud, or laughing over drinks in the village square with friends. But also in an elegant museum, sipping tea, or in completely different contexts. Morgana is all of these things: she can dance to techno until dawn, or pick daisies in a park on a quiet afternoon. I can be all of that, but one thing never changes: the kind of people I choose to surround myself with. They make all the difference.

What are, for you, the most beautiful and the most challenging aspects of this profession?

Among the most beautiful aspects of this work is, undoubtedly, the extraordinary privilege of traveling and experiencing places you wouldn’t normally have access to. Often, you find yourself in historic villas opened just for the crew, or in dreamlike settings meticulously arranged solely for a shoot. You meet people from all over the world, and through these encounters, your mind opens, you grow, and your perspective expands. However, there are also challenging sides. The mental stress caused by the job’s instability and lack of continuity is constant and difficult to ignore. On top of that, there’s the pressure surrounding physical appearance, with persistent beauty standards to meet, which can lead to a subtle but ongoing sense of competitive anxiety.

Do you think photoshoots have captured your true self, or are there still sides of Morgana that remain hidden from the lens?

There are certainly aspects that remain hidden, and I think that’s how it should be.
The real Morgana lives in the everyday, far from the spotlight and the set. No matter how closely a photoshoot may align with my personality, it’s still a partial representation. Being a multifaceted person, it’s difficult, if not impossible, to fully grasp all the shades of who I am through a single image or curated scene.

Looking ahead, what kind of projects fascinate you the most? What would you still like to explore in this field?

It’s a fascinating, yet complex question. My mind is filled with ideas, but among them, the ones that captivate me most right now are rooted in the world of art, especially painting, which has always mesmerized me. Fashion, on the other hand, will always remain a great passion. Even if my journey leads me beyond modeling, I know it will continue to be part of my life, taking on new, meaningful forms